Miss an article? Archives
Tuesday, September 30, 2008
By Scott Abel, The Content Wrangler and The Content Wrangler Community
The remix. It used to be a term used purely to describe different renditions of the same dance tune. Now, it’s a term creeping into our daily lives in a variety of new ways made possible by recent advances in computer and Internet technologies.
Originally crafted by talented music producers like Tom Moulton and dj’s like Larry Levin, remixes were designed for one purpose: To make the audience dance. Okay, that’s not entirely true, there was also another motive: To increase profit by selling the same song to different audiences by creating customized versions attractive to various target groups. Remixes were created to be attractive to specific demographics (blacks, gays, Latinos) and to patrons of niche clubs that feature specific genres of music (reggae, trance, hip-hop, garage, disco) by repurposing existing components of music (the vocals, the baseline, the guitar solo) and recombining them in new and innovative ways. One popular Top 40 tune might be remixed into a dozen different “official” versions, each with a target audience in mind.
This early form of content reuse, allowed record companies to do what nearly everyone is trying to do today - earn more revenue by personalizing content (i.e. delivering the right information, to the right people, in the right language, in the right format, at the right time). But, the music companies aren’t the only ones creating remixes anymore. Today, nearly anyone can be a music remixer.
User-Generated Remixes
The widespread availability of digital music (legals issues aside) and access to easy-to-use music remixing software, has created an entire generation of digital djs. Armed with a laptop and a connection to the Internet, these new school music mavens are at the heart of user-generated content movement. While record companies can afford to hire some of the best djs in the world to create officially sanctioned remixes, user-generated remixes, created by wanna-be music producers and bedroom djs, often become more popular than the official renditions. But the remixing phenomena isn’t limited to dance music. Content mashups made possible by services like Microsoft Popfly and Yahoo Pipes are allowing organizations and individuals alike to create value-added content services. Even toy companies are in on the action. Hasbro recently launched a video mashup tool designed to promote its popular Transformers line of children’s toys. Kids can combine video clips, sound effects, and music to make their own Transformers video remixes.
Remixing Documentation
The same principles behind music remixing are at the heart of a hugely important open source software documentation experiment, taking place on the web today. It’s called FLOSS Manuals, a content remixing project that provides its website visitors with the ability to read, write and remix documentation.
The FLOSS acronym stands for Free/Libre/Open-Source Software.
Reading FLOSS Manuals
FLOSS Manuals provides access to a collection of user-generated documentation sets that explain how to install and use a range of free and open source software including Audacity, an audio editing software for Linux, Mac OSX and Windows and WordPress, a popular blogging platform. You can also find a manual for the One Laptop Per Child XO computer, the education project whose goal was to produce a $100 laptop for children of the world using all open source software.
FLOSS Manuals are designed to be user-friendly and simple-to-understand. They are intended to encourage people to explore the wide range of free, open source alternatives to expensive and restrictively licensed software. FLOSS allows visitors to make a PDF of desired manuals - or read and print them in HTML—with the click of the mouse.
Writing FLOSS Manuals
FLOSS Manuals also provides site visitors with the tools needed to create a manual online, using wiki software that runs in a web-browser. Would-be writers and editors can learn how to use the wiki by editing a test manual and by reading the FLOSS Manuals documentation. A discussion listserv is also available to help editors find answers quickly from their peers.
Remixing FLOSS Manuals
The really cool thing about FLOSS Manuals is its remixing capabilities. Users can remix chapters from any manuals in the FLOSS repository to create their own customized manuals. And, doing so is quick and easy, through a user-friendly drag-and-drop interface that works from within a web browser. The resulting remix can be styled and exported to PDF or HTML.
An even more useful feature—live manuals—allows users to generate code that will allow them to embed their “live” manual into a webpage, just like SlideShare allows you to embed slide decks or YouTube allows you to embed videos. The big difference is that “live manuals” are indeed live versions of the document. Changes made to the files on FLOSS Manuals website are automatically reflected in the “live” version displayed on your website, providing your site visitors with the most-up-to-date content possible and avoiding typical delays caused by traditional documentation creation processes.
Remixing enables users to create a manual that suits their needs. Perhaps they need just one section of one manual and three sections of another. In this case, remixing only the desired components from both manuals allows users to create a customized manual that meets their specific needs. Nothing more, nothing less.
By remixing components from various manuals you can get exactly the content you need. Typical uses:
Why Does FLOSS Manuals Matter?
Remixing is a hot topic in many a circle on the internet discussion boards. Technical communication bloggers Keith Soltys, Janet Swisher, and Charles Jeter jumped on the FLOSS Manuals story shortly after it started making headlines. Eaqch of them share the reasons they think FLOSS Manuals matters. Of course, the technology behind FLOSS Manuals is really what matters, not the content being produced.
Extending the FLOSS Manuals concept to other types of content would allow us to:
The technological concepts behind FLOSS Manuals are the same ones being employed by organizations around the globe that are moving to a component-based XML content management paradigm. Content reuse, repurposing, and remixing are all extremely valuable techniques that allow us to laser target the content we provide to our customers, but, as FLOSS Manuals clearly demonstrates, these same principles can be used to empower users to generate their own, unique content and remix it with content provided by others to meet their individual needs. Expect these types of solutions to become the way we work in the future, because although FLOSS Manuals is an open source, non-commercial application of component content management principles, it won’t be long before a software vendor takes the same approach and creates a commercial product that can help any web user read, write and remix content in a web browser. In fact, I’m certain there are ...
Filed under: Content Management : Content Reuse : Publishing : User-Generated Content : Wikis : Use Cases
Monday, July 28, 2008
The Call for Participation for Web Content 2009 Tampa Bay is open. We’re looking for great presentations from outstanding speakers on topics that address the needs of our audience and that align nicely with the theme of the conference—“The Impact of Social Media on Web Marketing Strategy”. Specifically, we’re looking for sessions that teach attendees something useful—something they can use when they return to the office.
To be considered, follow these submission guidelines and use our online submission form to submit your presentation abstract, professional biography and photograph before the August 15, 2008 deadline. If you’ve got questions not answered here, let me know.
Friday, March 21, 2008
From the Really Strategies blog, XML guru Eliot Kimber explores how DITA can be used to create content that’s not technical documentation. Kimber explains the basic idea behind the DITA2InDesign project and provides links to DITA Project Gutenberg.
Friday, February 08, 2008
XML processing has traditionally been performed using command line tools. The use of those tools is the most powerful way to process XML, and that is unlikely to change soon. The trick has always been how to expose the power of those tools to end users over a networked server. From within a web container, Mr. XML Publisher does exactly that, and it makes doing so easy by providing a rich set of administrative controls and data access to nearly every native XML database or relational database on the market. Check out the Mr. XML Publisher for DocBook demo.
Thursday, November 15, 2007
Concerns about protecting brands keep many Web publishers from experimenting with Web 2.0 features on their sites. But that could be blocking a big opportunities. Interaction is critical in attracting readers and converting them into subscribers. Read How to Add Web 2.0 Features to Your Publishing Site: 5 Best Practices, an interview from Marketing Sherpa. Also included: tips on writing community guidelines.

Get The Content Wrangler Newsletter delivered straight to your home or work Inbox. It's full of content goodness.